A jaunt around some of New York’s most exclusive member’s clubs.
If you can escape the clutches of Manhattan’s commercial district- a tangled orgy of concrete, glass and steel, tempered by unfettered human ambition -then lower mid-town offers a brief moment of respite before flinging you back into the depths of the city. Here the sun’s rays, having no longer to contend with the invasive reach of New York’s sky scrapers, flood through the sky-line and bathe among the broad avenues.
Jutting out from it’s perch off Park Avenue and in the heart of Murray Hill, the Union League Club is a prestigious social club that boasts a gilded list of alumni including J.P. Morgan, Ulysses S. Grant, and Theodore Roosevelt. Robed in the candid American décor of early-twentieth century New York, the building’s earthen red façade is a timely reminder to the world that, “they make take our AAA credit rating, but they will never our Americanism!”
Having being buffeted by such flag-waving machismo, presumably plucked straight from the timbers of the Bush family ranch, I made a subsequent discovery. The prestigious club stocked Johnson’s baby shampoo (which sincerely promised ‘no tears’) in its showers.
I am in possession of such an intimate knowledge of the Union League Club and other similar establishments because I have furnished my past month in New York conducting a social experiment. Drawing encouragement from the success of the world’s banking elite in evading significant retribution for the financial crisis, I concluded that we are bound by human nature rarely to question someone wearing a suit. After all, with some exceptions, they are usually correct with colour combinations.
Therefore armed with a dark blue pin-striped suit (and occasionally a briefcase, depending on my confidence levels), I have successfully strolled into some of New York’s most elite member’s clubs. The main perk being that the majority of these clubs have state-of-the-art facilities, including steam rooms, billiards tables and, in the case of the Union League Club, a golf simulator.
Breaching the clubs’ reception area, though, is a mere skirmish. From then on, your every movement and interaction must be governed by the chief priority of convincing members and staff that you are a fully-fledged member of the elitist establishment. The gleaming facilities at your fingertips are merely a third home, alongside that Upper-East penthouse and manor in the Hamptons.
Being among a herd of sliver Republican moustaches, I tended to stand out. As a result I took to painting myself as a flamboyant British aristocrat, in the mould of Oscar Wilde’s Algernon Moncrieff, to vault into the upper echelons of New York society. My personal tale was one of shackled potential in rural Buckinghamshire that had driven me to cross the pond in a bid to unleash my creative beast (and wallet) upon the unsuspecting city.
I soon discovered that interactions with staff aided in smoothing the occasionally rough edges of the character. For example, to overcome the potentially awkward situation of being approached quizzically after making lavish use of the fitness equipment I merely brought the attack to the club’s employees; “Ahh “insert name on card here”, just hammered out 75 on the quadrilater, now that’s a p.b if I ever saw one. Am I right!” Accompany that with a pat on the shoulder and the club house is yours.
Conversations with members must be approached more cautiously. When the live stream of Fox News, radiating through the locker room, churned out a story of Tea Party member Christine O’Donnell allegedly practising witchcraft in her rebellious younger years (I guess it’s conservative Americans equivalent of listening to rap music), I had to suppress any laughter for fear that the Tea party had infiltrated the Union League. Perhaps by putting something in the drinks?
When thrust into more intimate scenarios, such as the flabby depths of the steam room, it is advisable to preserve silence and escape, if the situation requires it, to your happy place. I once intruded on an elderly member who was going through what appeared to be some form of tantric workout on the marble benches. Through the coils of steam, I could make out his legs jutting at mathematically-implausible angles, and gyrating stubbornly. “Good amount of steam” offered the ghostly apparition in an eager New England accent. “Yep,” I replied “you can hardly see a thing”.
The beating heart of the club, and arguably American Republicanism, is to be found on the fourth floor and is aptly-named, ‘The President’s Room’. It houses a poker table, elegant leather couches and hums with exclusivity. My first and only visit to the room was greeted with the sight and smell of four stout middle-aged men with matching comb-overs. In a dense haze of cigar smoke, they were discussing voter turnout for the upcoming Presidential election beneath a portrait of Ronald Reagan, looking on approvingly. Upon my entrance, the group offered me a collective look as if I had just poured liquid shit into their whiskey glasses and a timely reminder that fictitious English aristocracy will only get you so far.
This clearly shook my hastily constructed pseudonym and, as I was leaving the club later, I heard a desperate shout snake after me, “Excuse me sir?” Needless to say, I have not been back since. After all, the Princeton Club is a leisurely stroll uptown.
































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Bright Spark or Flash In The Plan
What does the future hold for 3D cinema?
With dwindling audiences and disappointing effects, doubts have been cast over the long-term prospects of revolutionary cinematic format, 3D. A recent survey by research firm Ipsos Mori suggested that people in 2010 were seven times more likely to see a 3D film over its 2D counterpart than today.
Cast a glance over recent box-office figures and this frank message may not come as a surprise. According to the ‘Economist’, 3D films’ share of US box-office revenue has decreased 20% from late 2010 to July this year. This despite the country’s addition of over 5,000 3D-enabled screens. The record-breaking box office hit, ‘Harry Potter and the Deathly Hallows Part 2’, compounded any disappointment when it collected just 43% of its sales from 3D in the US. In comparison, 3D was responsible for over 80% of 2009 hit ‘Avatar’s’ grossing. Is the novelty wearing off for cinema’s latest plaything?
For one, directors have publically declared disillusionment with the technology. Batman rebooter Christopher Nolan has avoided including 3D in his highly anticipated finale ‘Dark Knight Rises’, claiming the technology might hinder the scale of the movie. At a press conference for the upcoming Tintin movie, maestro Steven Spielberg declared the format as “not for everybody” and suggested it was used by some directors as a commercial tool without understanding its different directional requirements. (We’re looking at you, Piranha 3D).
Or Should we say Piranha 3DD?
On top of this, various discomforts have been reported by many 3D audience members. A study by the California State University found that watching the format trebled the risk of eyestrain and headache. Much has been made of the nausea some 3D scenes induce. In the wrong hands, this technology could see a change in the role for popcorn buckets.
The killer blow has to be the audacious move of cinemas to ask audiences to wear plastic glasses for the whole movie. This being a general public who stubbornly expect machines to run their lives and bawl at the slightest technological inconvenience, such as two or less bars of Wi-Fi. You may as well ask them to cross into Hades then concede anything to the machine.
In some cases, 3D gives directors a mandate to discard traditional elements of a movie, such as plot, to focus on delivering the ‘full 3D experience’. Which, to paraphrase, means filming a continuous explosion for 90 minutes, throwing in the occasional strip of magnesium for dialect. The meek will not inherit the genre.
A repeat offender is Michael Bay who has approached the format with the childish glee of a pig rolling in s**t. The director serves up his personal brand of ‘Bayhem’ in the ‘Transformer’ trilogy. If you haven’t seen the films, the experience is similar to being frantically shown around a playroom by a kid tanked up on Soviet energy drinks. “Here’s my robots, and here’s my helicopters… wait, what was I saying?”
Repeat offender Michael Bay
Don’t start writing obituaries yet, is the message cinemas chains are eager to convey. After all investment has been heavy, with 1,065 3D-enabled screens reported in the UK at the beginning of 2011. Though 3D ticket sales have lagged, the higher prices have increased revenue. The USA box-office’s record-breaking haul of $4.4 billion this summer was attributed to the sale of the pricier 3D tickets.
If the USA is tiring of the technology then the Far-East is just becoming acquainted. Technology firm RealD recently signed a deal to bring 3D to 100 Chinese cinemas. That’s not to mention the success of Hong Kong bonk buster, ‘Sex and Zen: Extreme Ecstasy’. The “world’s first 3D erotic film” smashed opening day box office records in Hong Kong. Success with emerging markets, suggests 3D could still be in for a happy ending.
Before sending 3D to the gallows, it is worth considering its capabilities of reviving classic flicks. ‘Star Wars’, Top Gun’, ‘The Lion King’, and ‘Titanic’ have all been signed up for 3D-remakes. This provides an opportunity to bring the films to a new generation of audience, plus show me the person who doesn’t want to see Ewoks battle in 3-D.
The consistent issue hanging over 3D films is how the technology is used. While ‘Avatar’ shot the entire film in stereoscopic 3D to acclaimed effect, some films shoot normally before converting the footage post-production into 3D. An example being whey-face Jason Momoa’s take on ‘Conan the Barbarian’. We all know what happened there.
If directors tack 3D onto their film as a gimmick to increase its commercial appeal then the 3D effects will appear unnatural and ill-suited. Real success in 3D comes from a director who understands the technology and builds the film around its offerings. Spielberg’s upcoming ‘Adventures of Tintin’, which was shot entirely in 3D, will be the best post-Avatar indicator of 3D’s cinematic value. Eventually it is hoped that as the industry becomes more acquainted with the technology. Directional techniques will be developed and finally, in a purging act of self-flagellation, ‘Shark Night 3D’ will be criminalized.